Publications

  • Granieri, N., Dooley, J & Michailidis, T. 2020. Retaining pianistic virtuosity: exploring pre-existing gestural nuances for live sound modulation., in Innovation In Music: performance, production, technology and business, Routledge. (In press)
  • Di Donato, B., Dewey, C., & Michailidis, T. 2020. Human-Sound Interaction: Towards a Human-Centred Sonic Interaction Design approach. In 7th International Conference on Movement and Computing (MOCO ’20), July 15–17, 2020, Jersey City/ Virtual, NJ, USA.ACM, NewYork, NY, USA, 4 pages.
  • Granieri, N., Dooley, J & Michailidis, T. 2019 Harnessing ancillary microgestures in piano technique: implementing microgestural control into an expressive keyboard-based hyper-instrument, in Innovation In Music: performance, production, technology and business, Routledge. (Link)
  • Michailidis, T., Barlow, C., Meadow, G., Gouch, J., Rajabally, E. 2019. Enhance Engine Room Diagnostics Through Audio-Focused VR Simulation. In proceeding of the 17th IFIP TC.13 International Conference on Human-Computer Interaction – INTERACT, 2 – 6 September, Paphos, Cyprus. https://doi.org/10.1007/978-3-030-29390-1_21
  • Michailidis, T., Barlow, C., and Marshall-Porter, J. 2019. 3D mid-air audio-haptic navigation for digital signage. In CHI ’19: ACM CHI Conference on Human Factors in Computing Systems, May 04-09, 2019, Glasgow, UK. ACM, New York, NY, USA, 3 pages. (PDF)
  • Di Donato, B,. Michailidis, T. 2019. Accessible interactive digital signage for visually impaired. In CHI ’19: ACM CHI Conference on Human Factors in Computing Systems, May 04-09, 2019, Glasgow, UK . ACM, New York, NY, USA, 2 pages. (PDF)
  • Barlow, C., Michailidis, T., Meadow, G., Gouch, J., Rajabally, E. 2019. Using Immersive Audio and Vibration to Enhance Remote Diagnosis of Mechanical Failure in Uncrewed Vessels. In Proceedings of Audio Engineering Society Conference: 2019 AES International Conference on Immersive and Interactive Audio, York, UK, 27-29 March, 2019.http://www.aes.org/e-lib/browse.cfm?elib=20428\
  • Michailidis, T., Hockman, J. 2018. Affordances of Vibrational Excitation for Music Composition and Performances, In proceedings of the Sound Music Computing (SMC), Limassol, Cyprus, 4-7 July 2018. https://doi.org/10.5281/zenodo.1422619
  • Michailidis, T. Dooley, J. Di Donato, B, Granieri, N. 2018. Improvising through the senses: a performance approach with an indirect use of technology. Digital Creativity. https://doi.org/10.1080/14626268.2018.1511600
  • Bullock, J., Michailidis, T. & Poyade, M. 2016. Towards a Live Interface for Direct Manipulation of Spatial Audio; Proceedings of the International Conference on Live Interfaces. REFRAME Books, Sussex. (PDF)
  • Michailidis, T. & Polydorou, D. 2013. A multimodal integration of sensory feedback modalities for dance performers. Conference proceedings of the FASCINATE 2013 Conference, Falmouth University, 28-30th August. (PDF)
  • Bullock, J., Coccioli, L., Dooley, J., Michailidis, T. 2013. Live Electronics in Practice: approaches to training professional performers. In Organised Sound; Volume 18, Issue 2. DOI: https://doi.org/10.1017/S1355771813000083
  • Michailidis, T. & Berweck, S. 2011. Tactile Feedback Tool: Approaching the Foot Pedal Problem in Live Electronic Music. Proceedings of ICMC 2011, International Computer Music Conference, 31 July-5 Aug. 2011, Huddersfield. (PDF)
  • Michailidis, T. & Bullock, J. 2011. Improving Performer’s Musicality Through Live Interaction with Haptic Feedback: A case study. Proceedings of SMC’11, 8th Sound and Music Computing Conference, 6-9 July, 2011, Padova, Italy. (PDF)

Conference Presentations

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Workshops

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